Greetings!
I get a lot of emails asking me about my thoughts on the state of the comic industry in general and about the state of the indy side of the industry in specific. It’s funny that I get this email because my actual involvement with the industry is very limited — I don’t really sell to many comic shops, I only do a couple of convention appearances a year and those are generally science fiction oriented ones (go BayCon!) and I don’t really participate in any of the thousands of comic message boards out there (sure, sometimes I get sucked in to posting a couple of responses on the Dimestore forums, but the overall attitude of comic “fans” these days really turns me off).
Now that I’ve written a few times about what I’ve done in order to get Cadre comic book sales up in nearly the 9000 copies sold per issue range the emails have changed focus to “what about comic book distribution.” The problem with emails like that is what the writer is actually saying between the lines: “Okay, now you’ve told me that selling comics on my own is hard work and I’m a lazy bastard, tell me how someone can create a new distributor because my books weren’t good enough to be picked up by Diamond.” Or “were picked up by Diamond but I don’t support my books with marketing or money to make them successful.”
Truthfully, for the industry as it is now, Diamond is great. Sure they don’t support indy books, but why should they? The majority of indy publishers think “advertising” or “marketing” means to set up an account on Myspace or ComicSpace. Sure they might be doing a couple of conventions or take their books around to some local shops so they can act like “big men on campus,” but they have no clue what it takes to run a successful business. Read More »
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